About this Book

In writing the life of Grieg, the author has taken as his thesis the cleavage in Grieg's nature which kept him from producing as great works as might have been expected from his genius. In musical temperament, Grieg was akin to Norwegian folk music. Even before he knew of the existence of this music he produced works that constantly remind one of native songs and dances. Artistically, however, he was a product of the conventional Music Conservatory at Leipzig, although he revolted against its sterility and continually sought a new form of expression. The author has had exceptional facilities for studying his subject. He has had access to all Norwegian material, including Grieg's posthumous papers, not formerly available. He has also had the advice and cooperation of Fru Nina Grieg in the last years of her life, and he has been able to consult with many of Grieg's intimate friends. As a composer and music critic, Monrad-Johansen is able to speak with knowledge and understanding of Grieg's musical works, while at the same time he has written a book which, in its human element, will appeal to the ordinary reader.